“Maybe the O’Keeffe purists would be a little surprised that O’Keeffe participated in the advertising campaign for Hawaiian Pineapple Company,” Theresa Papanikolas, curator of European and American art at the Honolulu Museum of Art, tells SFR.
Eisenstaedt was the German-born LIFE magazine photographer responsible for candid photographs featuring the likes of Marilyn Monroe and Jackie Kennedy, as well as the emblematic V-J Day celebration image that features a sailor passionately kissing a nurse in Times Square.
“I was kind of fascinated by the fact that even the people that don’t like the founding fathers never say a word about the Constitution,” Quinn tells SFR. “Everyone loves the fuckin’ Constitution!” He found in the document the main inspiration for Unconstitutional.
Currently living in Tesuque with husband Christopher Turner, Maupin—whose signature writing style was recently dubbed by one New York Times reviewer as “third-person kaleidoscope”— took time to chat with SFR on his way from San Francisco to Berkeley on the first stop of his The Days of Anna Madrigal promotional tour.
Unlike many 16-year-olds, Maisie Williams has seen her father beheaded, been imprisoned twice, lived part of her life as a boy and, oh yeah, there was the one time she killed that dude in the woods. An integral part of George RR Martin’s epic A Song of Ice and Fire.
SFR was there on the frosty January afternoon when Edie Tsong applied the fist Snow Poem on Teen Court’s street-facing windows. In a race against the clock, oversize Helvetica CY letters (“The same typeface they use in street signs,” Tsong pointed out).
2013 was a year for the books in Santa Fe’s arts and culture scene.
Anything but stagnant, the nation’s oldest capital was reenergized with a
barrage of new faces, ideas and alternative art spaces that again
confirm our city’s place on the national art scene.
“Thank you, theater lovers, for being here—and you do have to be a theater lover to be out tonight,” Blalock said. She took the opportunity to commend the also news director at KSFR for his multiple contributions to the performance art scene and cited this version of the seasonal play as one that “he particularly wanted to bring to us.
Former senior editor of LIFE magazine, Hal Wingo remembers the afternoon of Nov. 22, 1963 vividly. He was working as a reporter in the publication’s Big Apple headquarters and was walking back from lunch.