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Letter America: Dear Southwest Airlines

Letter America Dear Southwest Airlines, I’m writing to complain about the unfair way I was treated on a recent flight from San Francisco to Phoenix. ... More

May 20, 2013 By Robert Wilder Comments 3
 
 
 

 

 
Home / Articles / Arts /  Art Features
 
Tuesday, November 1,2011
Art Features

Art in the Back of a Truck

Axle Contemporary want you to ask,

Matthew Irwin
Axle Contemporary had partnered with the New Mexico Experimental Glass Workshop for Vidrio y los Muertos, a Day of the Dead exhibition. Next to the workshop’s kiln, Axle’s mobile gallery—devised from a custom 1970 aluminum step van—featured the works of various glass artists on its shelves.
Wednesday, October 26,2011
Art Features

SPREADing the Wealth

SITE Santa Fe’s micro-granting initiative, take two

Matthew Irwin
Among the eight finalists for SITE Santa Fe’s micro-granting initiative, SPREAD, one will walk away with…let’s see, the minimum ticket price ($15) times 350-ish people, factor in the sliding scale for tickets by income profiles, then…well, enough money to get his/her/their project through the proverbial door. The other finalists will have to settle for friends and family saying, “Just getting this far is an honor.”
Wednesday, October 19,2011
Art Features

From the Street to the SITE

Exhibition questions through what lenses we view history

Matthew Irwin
As a whole, Agitated Histories puts history itself on the stand.
Wednesday, October 12,2011
Art Features

Let's Talk About Art

Christopher MacQueen’s “atmospheric landscapes” begin the dialogue

Matthew Irwin
A self-described installation artist, MacQueen has turned the walls of Eggman’s side gallery into a picture window onto an imaginary landscape.
Tuesday, October 4,2011
Art Features

Spending Money on Art

New woodcuts and the price of location at Argos Studio

Matthew Irwin
About three years ago, I found my way into art collecting through intaglio, aka printmaking. So given the opportunity to write my first art review for SFR on the sixth annual International Guild of Realism show at Sage Creek Gallery—a suggestion left on my suggestion-covered desk—or on Thayer Carter’s new woodcuts at Argos Studio & Santa Fe Etching Club, I chose the latter. 
Wednesday, September 28,2011
Art Features

Truth in Youth

From New York to Corrymore Elucidates Portaiture's Possibilities

Reyan Ali
Beautiful people and compelling portraiture don’t have to be synonymous, a point that Robert Henri’s portraits of Thomas MacNamara in From New York to Corrymore: Robert Henri & Ireland firmly reinforce. As the subject of “Sandy” and “Portrait of a Boy (Sonny Mac),” MacNamara is woefully bucktoothed and maintains bemused, dopey expressions.
Wednesday, September 21,2011
Art Features

Funny Business

Jacob A Pfeiffer takes things literally in Metaphorically Speaking

Reyan Ali
Trying to appreciate a pile of sticks hanging over a fishbowl without any context is an exercise both confusing and pointless.
Wednesday, September 14,2011
Art Features

Triple Threat

Rebels presents three distinct takes on lowbrow art

Reyan Ali
“Lowbrow” is a word fraught with symbolism. The term, which originated in California in the 1970s to describe a wave of colorful, energetic art inspired by sundry slices of the zeitgeist—punk ro
Wednesday, September 7,2011
Art Features

Common Ground

Land Use/Misuse examines man’s tumultuous relationship with nature

Reyan Ali
Man is a secondary, negligible entity in Land Use/Misuse—a fact both banal and remarkable.
Wednesday, August 31,2011
Art Features

Of Wickets, Sixers and Cultural Chasms

Sweat 2011

Reyan Ali
If you want to know how to play cricket properly, the first thing you need to learn is how to plead overdramatically.
 
 
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