Wednesday, May 22, 2013
Facebook Connect
 
This Week's SFR Picks
 
— The Radness of King George
'Game of Thrones' mastermind George RR Martin talks childhood, popcorn and his latest acquisition
— The Canary in the Copper Mine (is dead)
How New Mexico's copper industry wrote its own rules
— Slaughterhorse-Five
The inner workings of NM’s first equine slaughterhouse
Guides Santa Fe Manual Restaurant Guide Best of Santa Fe Bar & Nightlife Summer Arts

Letter America: Dear Southwest Airlines

Letter America Dear Southwest Airlines, I’m writing to complain about the unfair way I was treated on a recent flight from San Francisco to Phoenix. ... More

May 20, 2013 By Robert Wilder Comments 4
 
 
 

 

 
News 01.26.2009 0 Comments

Krazy for Kabuki

By Patricia Sauthoff
Apparently the Revolution will be staged. At least, that's the goal of the Revolutions International Theatre Festival. Last night the Festival, which is put on by Albuquerque's Tricklock Company made its one and only trip up I-25 for a performance of KA*BU*KI by Lonny Gordon. Gordon's performance is an interesting mixture of storytelling, dance and music and tells of Gordon's lessons as the only non-Japanese performers to train at the Grand Kabuki Theater in Tokyo. Through a narrative that includes the history of Kabuki to specific techniques Gordon offered the audience a grand tour of an ancient art form that exists in the West more as legend than a living approach to theater.

As a student of Japanese anthropology in my free time (and you thought it was all beer and concerts!) I was fascinated by Gordon's simple approach to explaining his art to an audience completely unfamiliar with it. He disolved the mystery behind the techniques and aesthetic with humor without degrading the elegance and traditionalism inherent in Kabuki.

Gordon's performance encompassed all aspects of what ancient Indian philosopher Bharata Muni described in his Nātyaśāstra as rasa. (I know, mixing cultures here but Muni's is the best performing arts theory I've ever come across.) To achieve this state of emotion in an audience the performer must reach eight emotions within his audience: love/eroticism, comic, pathos, fury, heroism, horror, odiousness, wonder and a ninth added later by Abhinavagupta, tranquility. Through his funny stories, cultural screw ups, outsider status and the passing of tests Gordon allowed the audience to wander through these nine states with a fluidity rarely found in Western theater.



By the way, if you find this $95 fan beautiful you should see the $7K one Gordon brought out during his performance. Japan is known for its aesthetics and its no wonder the place is so damn expensive!

The Revolutions fest continues, albiet down in Albuquerqe, until the 31st. Ride the Rail Runner down for the early shows or heck, stay the night and check out a late one and an early one the next day. Click here for Revolutions' schedule.
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 
 
 
 
Close
Close
Close